Tony Fitzpatrick
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Selected One-Person Exhibitions
The Wonder: Portraits of a Remembered City, Vol. 3, P.S. 1 Contemporary Art Center, NY The Wonder: Portraits of a Remembered City, Vol. 3, Pierogi, New York The Wonder: Portraits of a Remembered City, Vol. 2—Dream City: Billy Shire Fine Arts, Culver City The Wonder: Portraits of a Remembered City: Billy Shire Fine Arts, Los Angeles The Wonder: Portraits of a Remembered City: Pierogi, New York Remembered City: Prints and Drawings, DePaul University Art Museum, Chicago The Autumn Etchings, Big Cat Gallery, New York The Ruckus: New Drawings and Etchings, Bill Maynes Gallery, New York The Secret Birds, Big Cat Gallery, New York Bum Town, Bill Maynes Gallery, New York New Etchings, Marguerite Destriecher Gallery, New Orleans New Etchings, Bernard Toale Gallery, Boston Work from Big Cat Press, Davidson Gallery, Seattle The Holy Slang, Augen Gallery, Portland, Oregon Recent Prints, Bernard Toale Gallery, Boston The Dope Drawings, Adam Baumgold Gallery, New York Recent Prints, Fleisher Ollman Gallery, Philadelphia Salvation & Damnation, Crossman Art Center, Whitewater Wisconsin Joe's Garden, Augen Gallery, Portland, Oregon Davidson Gallery, Seattle The Contemporary Art Center, Cincinnati Morgan Gallery, Kansas City Thomas Barry Gallery, Minneapolis Anderson Gallery, Buffalo Art Institute of Chicago The Son of a Sailor, Richmond Arts Center, Loomis Chaffee School, Windsor, Connecticut The Secret Birds, Augen Gallery, Portland, Oregon Tony Fitzpatrick: Prints, Davidson Gallery, Seattle White Circus, Janet Fleisher Gallery, Philadelphia Bridgewater Lustberg Gallery, New York Vrej Baghoomian Gallery, New York New Prints, Landfall Press, New York Lorenzo Rodriguez Gallery, Chicago New Prints from Landfall Press, Barry Whistler Gallery, Dallas New Prints from Landfall Press, Susan Whitney Gallery, Regina, Saskatchwan Hard Anges and Other Subjects, Augen Gallery, Portland, Oregon Red Circus, Carl Hammer Gallery, Chicago |
Tony on an episode of "The Madness of Art"
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Autumn Planets was proofed by Professor James Bailey, with assistance from his printmaking students Jason Clark, Kaya Wielopolski and Ryan Lindburg.